5 cakes and a bike, what could go wrong?

Acting. Drama. The degree I’ve been studying for the past 3 years, yet I’ve never in my life experienced anything like this. Endurance? Most people would think of sport or nutrition upon hearing this word, however endurance performance pieces really do exist; safe or not.

When joe approached the group, asking who felt comfortable eating a considerable amount of food on stage, my instant reaction was to throw my hand in the air dramatically. Anyone that knows me will know how much I eat and how usually this would not be a problem. Usually. After accepting the challenge, joe sat me down and explained in detail my role within the show and how I would need to prepare. I waited to write this blog until after I had tried out my scene, so I could really explain it detail.

So, my role appeared from a personal story within the group focusing on eating disorders and obsession. The story was of a girl that became obsessed with calorie counting and exercise alongside her eating habits. The exercise was a form of escapism juxtaposing her eating. The scene would be an ongoing piece throughout the entire play, to show the negative impact escapism can have on our bodies physically and how dangerous it can be. During the show at different intervals, a total of 5 cakes would appear on stage at different times for me to eat one by one, followed by excersising on a spin bike at regular points. Throughout this, there is several passages of dialogue between me Brodie and Rob, whom are, in a gameshow manner, guiding me through the process. Before running the scene through, I did a lot of research into endurance based performances. Carolee Schneeman is a endurance performer and it was intriguing to research her performance ‘Up to and including her limits’ (Schneeman, 1976). Although this was unlike the eating endurance piece I was about to do, it was eye opening to see a performer pushing her body’s limit physically and mentally; something that I was about to do.

The first run through of this scene with the cake happened yesterday and I can honestly say I wasn’t expecting it to be this hard.

food flashback rehearsalfood rehearsal18763383_1538809199494913_1945800571_n

Endurance eating (Workman, 2017).

I had to be driven home and proceeded to be sick for the rest of the day. Although it was an awful experience, watching the recording of it today was powerful and very moving. It really brought to light the struggles man people in the world face today with body image, over or under eating, exercise and general self-consciousness. I am very aware that this scene will not be able to be practised with cake many time before the show, as it is very unhealthy and completely impossible to do during daily rehearsal. However, the spin bike is residing in my student house so I shall be training on that daily to prepare myself in the running up to the show.

 

Work sited:

Workman, L. (2017) Endurance eating.

Schneeman, C (1976). Up to and including her limits.

 

Applying for funding with Arts Council England

Today is the day I began to put our show forward for further funding with Arts council England. This application was more of a ” see if I can do it for the future ” application.

I began researching into what it is Arts council England look for when making the decision to give funding or not with an application.

The first thing I looked into was the five ‘goals’ of the Arts council, them being:

  • Excellence
  • For everyone
  • Resilience and sustainability
  • Diversity and skills
  • Children and young people

The Arts council look at Art and theatre as a way of bringing together people, people from different cultures and backgrounds, and this is a matter in which our final show fully intends to explore. if successful, with the correct amount of visual evidence our Company could be eligible for funding from £1000 to £10,000.  Within my Application I will 0nly be asking for £800.

If granted this money will cover Marketing Costs, Small Venue Hire, and paying accommodation for the Actors. all props have already been bought and the show itself would be extremely ‘tamed down’ for touring purposes, meaning that we would not have the elaborate lighting states  as seen in the main show and the performance would have a much more ‘D.I.Y’ aesthetic.

an example being;

rental of a venue- Skipton auction mart, Yorkshire – £150 per night of venue hire – seats 353 people (price includes staff on the night)

Hire of technician- £50 per night – supplied by Skipton auction Mart

cost of Accommodation for Actors – (£400 at skiptons travel lodge- includes breakfast)

Travel for company- £100 (From Lincoln central to Skipton Station) – Including rail cards.

van hire to transfer, costume, props and ‘D.I.Y’ lighting – In kind (We know a man with a van)

meaning that are total for touring this show to the other side of the country would in total cost us £700

if we sold tickets at £7 per ticket, and worst case scenario only selling 40% of the seats available we would make £987 from ticket sales

giving us a profit of £287 overall.

working this out provides reassurance that it would taking our show to the other side of the country and having a completely different audience could actually be completely possible!

When filling out the application form, I paid close attention to the ‘cheat sheet’ supplied by the arts council website.  See below image.

frag blog 1

(D’Arcy, 2017).

I Filled in the application relating our show to the Arts council guidelines as much as possible. an Example being significantly explaining how out show is of ‘excellence’ and is for ‘every one’ and can even apply to a ‘diverse’ set of people. that being three ‘Arts council goals’ already completed.

(see below photos of me at the beginning of the application for Arts Council Funding 2017)

frag blog 3

(D’Arcy, 2017)

The application process takes a long long time, so who knows, but Maybe Fragment theatre will be making a comeback!

watch this space!

 

Citations

Artscouncil.org.uk. (2017). Individuals | Arts Council England. [online] Available at: http://www.artscouncil.org.uk/why-culture-matters/making-case/individuals [Accessed 20 Feb. 2017].

D’Arcy. H. (2017) application of arts council : University of Lincoln library.